Element Group Quiz (Chemistry Test)

Internet vs Television - 669 Words

Internet vs Television The internet is more convenient than television when it comes to knowledge. The internet has more to offer than television, however television provides more accuracy. When I say that the internet is more convenient, I mean you can look for what to what and theres a good chance you will find it. If you’re looking for things like a TV show, a video, or even a movie you’re most likely to find it. While television provide accuracy on exactly what is coming on and what time it’s going to be coming on, the internet provides more information and knowledge. The internet which was once just a little puddle, now, have become an ocean; an ocean of knowledge. It is like a magical crystal ball which has an answer for every†¦show more content†¦The internet and television is overall both tools that you will need to know how to properly use to gainShow MoreRelatedTelevision vs the Internet1118 Words   |  5 Pages‘The internet is more fatal to the cohesion of the community than television was in its time.’ The widespread availability of the internet has produced a serge in communication in today’s society. The introduction of television to Australia in the 1950’s could be said to have had a proportionately similar effect. In today’s world the internet enables people to research, communicate and entertain across the globe at the touch of a computer key. However, the internet is sometimes seen, as a technologyRead MoreInternet Television Vs Cable Television1275 Words   |  6 PagesInternet TV â€Å"Television viewers increasingly watch their favorite shows on their smartphones, tablets, and computers† (pg. 313). There are many entertaining television services on the internet and, â€Å"services such as Netflix are supplying content to screens of all kinds by streaming it over the Internet† (pg. 314). For many years, many people have sought joy from watching their favorite television shows to sports programs on Cable Television. They have spent nearly most of their lives watchingRead MoreThe Internet vs. the Television: Which Is the Primary Source of Media Entertainment?3662 Words   |  15 PagesThe Internet vs. The Television: Which is the Primary Source of Media Entertainment? Submitted by Anna Bettina Bautista Mico Cortez John Nathaniel Laxamana Erlaine Vanessa Lumanog Niko Lorenzo Peralta Daryll Santillan March 28, 2008 Introduction In the year 1953, the television was introduced to the Philippines. The primary broadcasting network then was ABS-CBN (which was formerly known as Bolinao), pioneering color television service, programs and films. Programs being telecast at theRead MoreHow Netflix Can Continue Expanding Business Opportunities Essay1166 Words   |  5 Pagesin the first nine months of 2013 as the cost for wireless internet TV’s became more affordable. Source: http://mobile.businessweek.com/articles/2013-10-21/netflix-may-ditch-dvds-sooner-rather-than-later CONSUMER TRENDS DIGITAL REVOLUTION The home entertainment experience is changing with content delivered on-demand through web applications, game consoles, and tablets. People are investing in TVs that compatible with wireless internet. Consumers between the ages of 18 to 34, spend one-third ofRead MoreStreaming Medi An Emergent Technological1432 Words   |  6 Pagesservice was introduced in 2007. By 2013 Netflix premieres an original programming House of cards, this was a start of a streaming service becoming an actual channel, and the binge watching term is invented. As Netflix offers the hole season all at once vs. waiting a week to see the show on conventional channels. Amazon Prime Launched in 2005, Amazon was trying to get customers to spend more money. $79 a year, ($99 a year now), ($49 a year for student prime, with .edu email) people wouldRead MoreThe Origin Of The Word Music Essay2320 Words   |  10 Pagesor skill of creating or performing music. Music is inescapable, it can be heard everywhere, while driving in your car you can hear it playing on the radio, possibly the person driving next to you could be humming a tune or singing a song, on the television, while shopping, at your workplace, school house and in the church house. Music is a part of our everyday living. It brings joy, peace, happiness, relaxation and sometimes may even bring tears to our eyes. The way we listen to music has been transformedRead MoreNetflix Is An American Provider Of On Demand Internet Streaming Media2269 Words   |  10 PagesNetflix is an American provider of on demand Internet streaming media available to North and South America, the Caribbean, United Kingdom, Ireland, Sweden, Denmark, Norway, Finland, the Netherlands, etc. and provide flat rate DVD by-mail in the United States, where mailed DVDs are sent via permit reply mail. Online streaming service and DVD delivery service are the two main product lines for Netflix. Netflix’s core product is a service. They had started the subscription based digital distributionRead MoreInternet Impact on TV Synergy767 Words   |  4 Pagesï » ¿Monroe Community College Internet Impact on TV Synergy: The Television That Goes Above and Beyond Brian Holcomb Mark Ricci Intro to Mass Media March 27th, 2014 Brian Holcomb Mark Ricci Intro to Mass Media March 27th, 2014 Several years ago, the introduction of social media, like Twitter and Facebook, ultimately took society by its horns, creating the initial interaction between the ever growing internet phase, and the everlasting television access networks. These socialRead More DSL or Cable Essay1537 Words   |  7 Pagesare millions of people connecting to the Internet. The Internet is made up of networks of computers linked together around the world where people can chat, shop, instant message, and e-mail each other. With so many people connecting one might wonder how all of these millions of people are connecting to the Internet. There are many different options for people to use to connect to the Internet, such as dial-up, DSL, Cable, and Satellite. Dial-up internet connection uses the telephone line; thisRead MoreIntellectual Property : Any New Creative Work Of Human Brain Or Company1485 Words   |  6 Pagesthe widespread internet make it easy for people from all over the world to access information much easily than earlier. ïÆ'Ëœ Photocopiers make it easy for coping the books easier and faster, ïÆ'Ëœ Mp3 formats occupies much less storage space in the hard drives for storing more songs, and it s easy to download mp3 songs faster over internet because it use low memory storage. ïÆ'Ëœ High speed Broadband internet services make it easier for user to download the large media file over internet, ïÆ'Ëœ peer transfer

Positives and Negatives free essay sample

They feel differently and have different skills. Even though they have different skills, strengths and weaknesses, there will be some ones common amongst the people. Likewise, some of my strengths and weaknesses might be similar to that of my friends, parents, relatives, people around the world and some not. That is how we are made. Although, strengths and weaknesses Isnt a permanent thing. It can be worked on and can be Improved and polished. I am a very cheerful, caring and loving person who never falls to smile everyday.I tend to remain happy most of the time and believe smile Is one of the greatest gift given to us. When we give a smile, It might blossom the rest of the day of another person. Moreover, I am an optimistic person who Likes to work hard and always believes If we work hard enough, nothing Is Impossible to achieve. We will write a custom essay sample on Positives and Negatives or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page I Like to be confident and think of myself as a quick learner. Without confidence, cleaving our goals, targets Is very difficult. I am a frank, unselfish, team player with the driving power and willingness to learn and face challenges. These are some of the strengths I believe I have in me. Talking about some of my weaknesses, I sometimes get very emotional which affects my day to day life. Also, I feel that I am sensitive to my criticisms. When this happens, I sometimes become short-tempered. My another weakness is that in some cases, I tend to underestimate myself which is one of my biggest weakness I believe so far. Although I have my strengths and weakness, there are some strengths I believe I would like to polish and some weaknesses I would like to improve.First of all, I am confident but in some cases, I might tend to be nervous. I would very much like to improve that and remain confident all of the time, though never be overconfident. I work hard but sometimes, I get distracted and affects my work. I would like to improve that and be more focused. Regarding my weaknesses, the first thing I would like to improve would be to never underestimate myself. I should always make myself believe that I have it in me to do a particular work. Also, sometimes, I get short tempered which might hurt a lot of people.So, I need to keep myself calm and never act bitterly. Believe I have expressed myself . These are some of the strengths and weaknesses I believe I have in me. Some strengths needs to be polished and some weaknesses needs to be improved. There is no doubt that it can be achieved because these are not permanent. All this is what makes me and I am proud of who I am. Positives and Negatives By cathedrals and some not. That is how we are made. Although, strengths and weaknesses isnt a permanent thing. It can be worked on and can be improved and polished.I am a very cheerful, caring and loving person who never fails to smile everyday. I tend to remain happy most of the time and believe smile is one of the greatest gift given to us. When we give a smile, it might blossom the rest of the day of another person. Moreover, I am an optimistic person who likes to work hard and always believes if we work hard enough, nothing is impossible to achieve. I like to be confident and think of myself as a quick learner. Without confidence, achieving our goals.

The Photographic Conditions of Surrealism Essay Example For Students

The Photographic Conditions of Surrealism Essay I open my subject with a comparison. On the one hand, there is Man Ray s Monument to de Sade, a photograph made in 1933 for the magazine Le Surreal isme au sendee de la resolution. On the other, there is a self-portrait by Florence Henri, given wide exposure by its appearance in the 1929 Foto-Auge. a publica tion that catalogued the European avant-gardes position with regard to photogra phy.1 This comparison involves, then, a slight adulteration of my subject surrealism—by introducing an image deeply associated with the Bauhaus. For Florence Henri had been a student of Moholy-Nagy, although at the time of Foto Auge she had returned to Paris. Of course the purity of Foto-Auges statement had already been adulterated by the presence within its covers of certain surrealist associates, like Man Ray, Maurice Tabard, and E. Ð ¢. I. Mesens. But by and large Foto-Auge is dominated by German material and can be conceived of as organiz ing a Bauhaus view of photography, a view that we n ow think of as structured by the Vorkorss obsession with form. Indeed, one way of eavesdropping on a Bauhaus-derived experience of this photograph is to read its analysis from the introduction to a recent reprint xrtfolio of Henris work. Remarking that she is known almost exclusively through this self-portrait, the writer continues. Its concentration and structure are so perfect that its quintessence is at once apparent. The forceful impression it produces derives principally from the subject’s intense gaze at her own reflection. . . . We will write a custom essay on The Photographic Conditions of Surrealism specifically for you for only $16.38 $13.9/page Order now Her gaze passes   dispassionately through the mirror and is returned—parallel to the lines made by the joints in the table. . . . The balls—normally symbols of movement—here strengthen the impression of stillness and undis turbed contemplation. . . . They have been assigned a position at the vertex of the picture. . . their exact position at the same time lends stability to the structure and provides the dominant element of the human reflec tion with the necessary contrast.2 In light of the writers determination to straightjacket this image within the limits of an abstracting, mechanically formalist discourse, the strategy behind a juxtaM)sition of Man Rays photograph with Florence Henri’s becomes apparent. Because the comparison forces attention away from the contents of the Henri whether those contents arc conceived of as psychological (the intense gaze† and its dispassionate stare) or as formal (the establishment of stillness through structural stability, etc.). And being turned from the photograph’s contents, one’s attention is relocated on the container—on what could be called the character of the frame as sign or emblem. For the Henri and the Man Ray share the same recourse to the definition of a photographic subject through the act of framing it, even as they share the same enframing shape. In both cases one is treated to the capture of the photographic subject by the frame, and in both, this capture has a sexual import. In the Man Ray the act of rotation, which transmutes the sign of the cross into the figure of the phallus, juxtaposes an emblem of the Sadean act of sacrilege with an image of the object of its sexual pleasure. And two further aspects of this image bespeak the structural reciprocity between frame and image, container and contained. 1he lighting of the buttocks and thighs of the subject is such that physical density drains off the body as it moves from the center of the image, so that by the time ones gaze approaches the margins, flesh has become so generalized and flattened as to be assimilated to printed page. Given this threat of dissipation of physical substance, the frame is experienced as shoring up the collapsing structure of corporeality and guaranteeing its density by the rather conceptual gesture of drawing limits, lliis sense of the structural intervention of frame inside contents is further deepened by the morphological consonance—what we could call the visual rhyming—between shape of frame and shape of figure: for the linear intersections set up by the clefts and folds in the photographed anatomy mimic the master sha|e of the frame. Never could the object of violation have been depicted as more willing. In Florence Henris self-portrait there is a similar play between flatness and fullness, as there is a parallel sense of the phallic frame as both maker and captor of the sitters image. Within the spell of this comparison, the chromed balls function to project the experience of phallidsm into the center of the image, setting up (as in the Man Ray) a system of reiteration and echo; and this seems far more imperatively their role than that of promoting the formal values of stillness and balance. .u1a562f172ce57590118adae713afbc17 , .u1a562f172ce57590118adae713afbc17 .postImageUrl , .u1a562f172ce57590118adae713afbc17 .centered-text-area { min-height: 80px; position: relative; } .u1a562f172ce57590118adae713afbc17 , .u1a562f172ce57590118adae713afbc17:hover , .u1a562f172ce57590118adae713afbc17:visited , .u1a562f172ce57590118adae713afbc17:active { border:0!important; } .u1a562f172ce57590118adae713afbc17 .clearfix:after { content: ""; display: table; clear: both; } .u1a562f172ce57590118adae713afbc17 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1a562f172ce57590118adae713afbc17:active , .u1a562f172ce57590118adae713afbc17:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1a562f172ce57590118adae713afbc17 .centered-text-area { width: 100%; position: relative ; } .u1a562f172ce57590118adae713afbc17 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1a562f172ce57590118adae713afbc17 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1a562f172ce57590118adae713afbc17 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1a562f172ce57590118adae713afbc17:hover .ctaButton { background-color: #34495E!important; } .u1a562f172ce57590118adae713afbc17 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1a562f172ce57590118adae713afbc17 .u1a562f172ce57590118adae713afbc17-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1a562f172ce57590118adae713afbc17:after { content: ""; display: block; clear: both; } READ: A History of Portraiture EssayIt can. of course, be objected that ibis comparison is tendentious. That it is a false analogy. That it suggests some kind of relationship between these two artists that cannot be there since they operate from across the rift that separates two aesthetic positions: Man Ray being a surrealist and Florence Henri being commit ted to an ideology of formal rigor and abstraction received initially from I.egcr and then from the Bauhaus. It can be argued that if there is a kind of phallicism in Henris portrait, it is there inadvertently; she could not really have intended it. As art history becomes increasingly positivist, it holds more and more to th e view that intention is some internal, prior mental event causally connec ted with outward effects, which remain lire evidence for its having occurred, and thus, to say that works of art are intentional objects is to say that each bit of them is separately intended.5 Bui, sharing neither this positivism nor this view of consciousness. I have no scruples in using the comparative method   wrest this image from the protective hold of Miss Henris intention and to open it, by analogy, to a whole range of production that was taking place at the same time and in the same locale. Yet with these two images I do not mean to introduce an exercise in comparative iconography. As I said, the area of interest is far less in the contents of these photographs than it is in their frame. Which is to say that if there is any question of phallicisin here, it is to Ire found within the whole photographic enterprise of framing and thereby capturing a subject. Its conditions can be generalized way beyond the specifics of sexual imagery to a structural logic that subsumes this particular image and accounts for a wide number of decisions made by photographers of this time, both with regard to subject and to form. The name that an entirely different field of critical theory gives to this structural logic is the economy of the supplement.* And what I intend to reveal in the relatedness of photographic practice in France and Germany in the 1920s and 30s is a shared conception of photography as defined by the supplement. But I am getting ahead of my argument. My reason at the outset for introducing my subject by means of comparison is that I wish to invoke the comparative method as such, the comparative method as it was introduced into art-historical practice in order to focus on a wholly different object than that of intention. The comparative method was fashioned to net the illusive historical beast called style, a prey which, because it was transpersonal, was understood as being quite beyond the claims of either individual authorship or intention. This is why Wolfflin believed the lair of style to be the decorative arts rather than the domain of masterpieces, why he looked for it Morelli-fashion in those areas that would Ire the product of inattention, a lack of specific design† going so far as to claim that the whole development of world views was to be found in the history of the relationship of gables. Now it is precisely style that continues to Ire a vexing problem for anyone dealing with surrealist art. Commenting on the formal heterogeneity of a movement that could encompass the abstract liquifaction of Mir6 on the one hand, and the d ry tealism of Magritte oi Dali on the other. William Rubin addresses this problem of style, declaring that we cannot formulate a definition of Surrealist painting comparable in clarity with the meanings of Impressionism and Cubism. †Yet as a scholar who has to think his way into and around the mass of material that is said to be surrealist. Rubin feels in need of what he calls an intrinsic definition of Surrealist painting. And so he produces what he claims to be the first such definition ever proposed.† His definition is that there arc two poles of surrealist endeavor—the automatisi/abstract and the aca demic/illusionist—the two poles corresponding to the Freudian twin props of Surrealist theory, namely automatism (or free association) and dreams. Although these two pictorial modes look very unlike indeed. Rubin continues, they can be united around the concept of the irrationally conceived metaphoric image. Now, in 1925 Andre* Breton began to examine the subject surrealism and painting, and from the outset he characterized his material in terms of the very twin poles—automatism and dream—and the subject matter of Rubins later definition.6 If forty years afterward Rubin w as so unhappy with Breton’s attempt at a synthetic statement that he had to claim to have produced the first such definition ever, it is undoubtedly because Rubin, like everyone else, has been unconvinced that Bretons was a definition in the first place. If one wishes to produce a synthesis between A and B. it is not enough simply to say. A plus B.† A synthesis is rather different from a list. And it has long been apparent that a catalogue of subject matter held in common is neither necessary nor sufficient to produce the kind of coherence one is referring to by the notion of style. If Rubin’s nondefinition is a mirror-image of Bretons earlier one, this relationship is important, because it locates Bretons own theory as a source for the problem confronting all subsequent discussions. But Breton, as the most central spokesman for surrealism, is an obstacle one must surmount; one cannot avoid him, if the issue is to deal with the movement comprehensivelyas one must if a synthetic notion like style is involved. The same failure to think the formal heterogeneity of Miro and Magritte into something like stylistic unity plagues every effort of Breton as theoretician of the movement. Attempting to define surrealism, Breton produces instead a series of contradictions which, like the one between the linearity of Magritte and the colorism of Miro, strike one as being irreducible. .ua82c2ac67806e506eee4be38d7a311aa , .ua82c2ac67806e506eee4be38d7a311aa .postImageUrl , .ua82c2ac67806e506eee4be38d7a311aa .centered-text-area { min-height: 80px; position: relative; } .ua82c2ac67806e506eee4be38d7a311aa , .ua82c2ac67806e506eee4be38d7a311aa:hover , .ua82c2ac67806e506eee4be38d7a311aa:visited , .ua82c2ac67806e506eee4be38d7a311aa:active { border:0!important; } .ua82c2ac67806e506eee4be38d7a311aa .clearfix:after { content: ""; display: table; clear: both; } .ua82c2ac67806e506eee4be38d7a311aa { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua82c2ac67806e506eee4be38d7a311aa:active , .ua82c2ac67806e506eee4be38d7a311aa:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua82c2ac67806e506eee4be38d7a311aa .centered-text-area { width: 100%; position: relative ; } .ua82c2ac67806e506eee4be38d7a311aa .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua82c2ac67806e506eee4be38d7a311aa .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua82c2ac67806e506eee4be38d7a311aa .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua82c2ac67806e506eee4be38d7a311aa:hover .ctaButton { background-color: #34495E!important; } .ua82c2ac67806e506eee4be38d7a311aa .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua82c2ac67806e506eee4be38d7a311aa .ua82c2ac67806e506eee4be38d7a311aa-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua82c2ac67806e506eee4be38d7a311aa:after { content: ""; display: block; clear: both; } READ: Alfred Stieglitz Biography EssayThus, Breton introduces Surrealism and Painting† with a declaration of the absolute value of vision among the sensory modes. Rejecting the late nineteenth-century die turn, that all art should aspire to the condition of music, an idea very much alive among twentieth-century abstract artists, Breton insists that visual images attain what music never can, and he bids this great medium farewell with the words, â€Å"so may night continue to descend upon the orchestra.† His hymn of praise to vision had begun, The eye exists in its savage state. Tire marvels of the earth . . . have as their sole witness the wild eye that traces all i ts colors back to the rainbow.† And by this statement he is contrasting the immcdi Ð °Ã' Ã'Æ' of vision—its perceptual automatism, as it were—to the premeditated, reflective gait of thought. The savageness of vision is good. pure, uncontaminatcd by ratiocination; the calculations of reason (which Breton never fails to call bourgeois reason†) are controlling, degenerate, bad. Besides being untainted by reason, visions primacy results from the way its objects are present to it, through an immediacy and transparency that compels belief. Indeed, Breton often presents surreal isin-as-a-whole as defined by visuality. In the First Manifesto he locates the very invention of psychic automatism within the experience of hypnogogic images—that is. of half-waking, half-dreaming,visual experience.

Across cultures, English is the word

Across cultures, English is the word The text is responding to a situation whereby English language is facing challenges in such a way that it is not clear whether it is a global language. There are instances in the text when the author is agreeing that English language has massively evolved into a major global language (Mydans, 2007).Advertising We will write a custom essay sample on â€Å"Across cultures, English is the word† specifically for you for only $16.05 $11/page Learn More However, the author does not take a firm position on whether English language is indeed global. This paper offers a rhetorical analysis essay on why English should be regarded as global language. It is also vital to explore how the writer has managed to establish his credibility in the text. The author has established his credibility by referencing other pieces of literary works from other authors. He has not taken all the credits for himself in the various arguments presented in the paper. In addition, ther e are myriads of sources that the author has cited in the text in order to support his arguments. Use of direct quotes is also instrumental in the text because it adds value and additional credibility. It is also evident that the writer has an attitude towards the subject matter since the audience can easily identify with both the mood of the writer and the text itself. The writer’s attitude towards the subject is quite skeptic. As already mentioned in the paper, the writer has failed to take a particular standing point regarding the issue of English being a global language. It is interesting to mention that the piece of writing contains various sub-themes from other authors even though he tends to neither support nor refute the notion that English is a global language (Mydans, 2007). The author is also quite frank in his description of English as the ‘king of languages’. He attains this by citing fascinating statements from other literary sources. The text is ta rgeting a particular audience or readers. The audience can be grouped into primary and secondary. The primary audience of the text is basically learners of English language both in grammar and in literature. Since this language is being discussed as a global entity, students of English language are definitely the primary audience who are supposed to be furnished with such information.Advertising Looking for essay on languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More In addition, teachers of English should also be regarded as the primary audience that are being targeted by the text bearing in mind that they are supposed to learn the language and be acquainted with it even as they teach the various versions. The secondary audiences are individuals who have great passion for English language. These are people with inner desire to learn more about English as a language especially in terms of its origin, growth as well as current and future developments. The author has built several arguments in the paper that are supposed to persuade the reader to agree with the given piece of writing. The major argument in the text revolves around whether English should be treated as global language. The author has indeed attempted to circumnavigate the argument by citing and quoting various pieces of works that have been written by other reputable authors. At the initial point, the author begins the text with an introduction and a thesis statement that highlights what is to be discussed in the paper. After the introduction, the author builds the argument by presenting his individual understanding of the subject matter before eventually going deep into the issues to be discussed. Nonetheless, there is no concluding point in the text where the author agrees to own or wind up the argument (Mydans, 2007). There are also other arguments and perspectives that the author has presented in the text. Some of the arguments include historical development of English, globalization, the influence of technology in the development of English language and the cross cultural influence of English in the world of linguistics. He has also employed pathos, logos and ethos in the text as described in the remaining section of the paper. English is one of the fastest growing languages across the world today. It has largely been boosted by the current trends in technology and globalization. The progressing dominance of this language has been discussed with cross reference to a published article by Seth Mydans. Although the author argues that English language may never become a global language, there are clear indications that it is indeed growing at a very fast rate that cannot be reversed at all. The author has also employed excellent use of pathos, ethos and logos in the piece of writing.Advertising We will write a custom essay sample on â€Å"Across cultures, English is the word† specifically for you for only $16.05 $11/page Learn More He has offered a detailed description on English language as a whole. However, the author has failed to convince the audience whether English language will ever become a global language. This is one of the glaring weaknesses in the article when rhetorical analysis is conducted. The author has also attempted to explain why English language has transited itself into the â€Å"king of languages†. He has achieved the latter by carrying out an interview with quite a number of experts in linguistics. Perhaps, this is one of the ways that the author uses to boost the credibility of his analysis (Mydans, 2007). The audiences that read newspapers such as the Tribune or New York Times are drawn from various social and economic backgrounds. Paragraphs are brief and simple to comprehend. In the case of Mydans, the author has made use of high degree of allusions, metaphors and diction. These techniques have been closely intertwined with his tory. In spite of the complexities in this piece of writing, the audience can still find it easy to read and understand. The author has used the word linguist in reference to one of the persons he interviewed when he was gathering information from the field. In order to expound the opinion of the linguist in regards to English as a global language, the author has made use of the word unequivocal. The text also contains the term vernacular. The latter word has been employed by the author in order to offer a description of various versions of English language adopted in different destinations across the globe. Some of the regions noted in the text include Papua New Guinea, Caribbean, Nigeria and Singapore. The phrase ‘kind of languages’ has been used by the author at the introductory section of the text so as to offer a glimpse preview of the arguments presented in the essay (Mydans, 2007). In conclusion, there is need for a global language since global communication is r apidly expanding (Crystal, 2003). A global language should be in a position to be understood and recognized by a large number of people. English language has been established in various parts across the globe. It is found in various forms or versions depending on the location.Advertising Looking for essay on languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More References Crystal, D. (2003). English as a global language. Cambridge: Cambridge University Press. Mydans, S. (2007). Across cultures, English is the word. Retrieved from https://www.nytimes.com/2007/04/09/world/asia/09iht-englede.1.5198685.html?pagewanted=all_r=0mtrref=undefinedgwh=66C2E4BE92CCCD2EB95C45787C91D565gwt=pay

Harriette Walters - BACKGROUND Essay Example | Topics and Well Written Essays - 1250 words

Harriette Walters - BACKGROUND - Essay Example Year Money Position 1989 $31735 Accounting technician in the real property division of department of finance and revenue D.C. 1990 $ 47,017 Accounting technician 1991 $ 160,153 Accounting technician 1992 $ 4,711 Accounting technician 1993 $ 246,301 Accounting technician 1994 $ 1,237,425 Accounting technician 1995 $ 1,423,238 Accounting technician 1996 $ 243,425 Accounting technician 1997 $ 543,423 Accounting technician 1998 $275894 Accounting technician 1999 $ 1,244,52 Accounting technician 2000 $ 2,587,831 Accounting technician 2001 $ 3,970,987 Manager of the Adjustment Unit in the Assessment Services Division 2002 $ 3,661,748 Manager 2003 $ 4,771,787 Manager 2004 $ 8,641,720 Manager 2005 $ 6,727,130 Manager 2006 $ 7,697,097 Manager 2007 $ 5,744,497 Manager Timeline for Harriette Walters’ Fraudulent Schemes (Gray & Evans 2011) Working Background   Ms. Harriette Walters started her carrier in 1981 as an accounting technician in the real property department of the D.C office of Tax and revenue. At that time the office of tax and revenue was department of tax and revenue. In the beginning Walters noticed the system and made fake documents like checks and other such document in collaboration with a coworker. Shortly thereafter, she realized that, she can work in a much safer manner. She made the checks refund to her friends and family members. She made fake residential addresses of her friends and family member and made the property tax refund checks. All this work was done with great care, to ensure that the refund checks and fake residential addresses would look normal. These checks ranged from 800 to 3000 dollars but it is nearly impossible to determine the exact amount of checks by the investigators during 1980’s (Jacoby, Lorigo & McCallum 24). Why It Last That Long? The fraud cases were prepared with great care and Walters even checked minor errors and tried to make as less mistakes as possible. The document should look genuine. The fake copie s were made as real as possible. Sometimes the documents were copied many times to produce real looking document (Jacoby, Lorigo & McCallum 24). The official requirements like official letter heads and signatures from different officials were there to go with the refund check requests (Jacoby, Lorigo & McCallum 24). She then prepared the documents which had the fake name and address and rather than mailed, she checked the option of â€Å"held for pickup†. The refund checks were sent to the revenue department from where Walters picked the checks up and cashed them (Jacoby, Lorigo & McCallum 24). Starting the Scheme In 1989, Ms. Harriette Walters processed the first fake documented refund check. The checked is payable to Alethia Grooms having worth of $4060. The next three years, Harriette Walters processed 13 more such fraudulent checks which have the worth of over $65000 which were paid to Alethia Grooms and some other person (Jacoby, Lorigo & McCallum 24). Walter then increa sed the amount of fraudulent refund and focused her attention on the processing of fraudulent refund checks for commercial checks instead of residential property. To achieve her goals, she involved her family members and close friends in her scheme (Jacoby, Lorigo & McCallum 24). She made fraud companies with her family members and other accomplices that never existed and claimed the refund check for the fake companies. She developed a power strategy to

Eddie Mabo, the Indigenous Land Father Essay Example | Topics and Well Written Essays - 1000 words

Eddie Mabo, the Indigenous Land Father - Essay Example For almost a decade, this man fought for the rights of his people by taking a case to court with the intention of having it overturn the terra nullius land system in Australia, which alienated the indigenous people from their land. The sheer determination of this man, against all odds, ensured that he had one of the greatest wins in Australian history for an indigenous person, because the ruling made, overturning the terra nullius system, ensured that over three hundred years of injustice had almost come to an end (Pannell and Vachon 2001, p.238). The overturning of this system further granted the indigenous people the confidence of identifying themselves with the land of their ancestors and ensured that their right to it was recognized beyond doubt. Eddie Mabo was a man who rose from humble origins as a gardener to becoming one of the national icons of Australia because of the fact that he was deeply involved in fighting for the rights of his people. While he was born in the Torres Strait Islands, Mabo spent most of his life in Queensland, and was in fact not a well-known figure in his home island until after he took his case on indigenous land rights to court. It was only after his death from cancer as well as the court victory over the land issue five months later that his fellow indigenous people on the island welcomed his as one of their own. His victory did not only affect the people of his home island but also all the indigenous people of Australia and this is the reason why Mabo has become one of the most respected men among them (Burke 2007, p.240). The idea that an indigenous person could almost singlehandedly challenge the Australian status quo and gain a great victory from it was one of those instances which were unheard of in the history of this country. The indigenous people had long been suppressed by the colonial government, and later by the white settlers who dominated and continue to dominate almost every aspect of life in Australia (Furniss 2001, p.279). Mabo’s posthumous court victory ensured that the indigenous people were recognized as a legitimate part of the Australian population with the same rights as those who dominated the society (Thorner 2009, p.391). Furthermore, it may have played a role in the recognition of indigenous people as reasoning human beings who had, throughout the history of the colonization of Australia had been treated unfairly; the court case was therefore the first step in correcting the injustice done to them (Reilly 2000, p.23). The overturning of the terra nullius policy can be said to be, in reality, a policy of inclusion whose purpose is to ensure that all the Australian people have an equal chance to compete in making their dreams and aspirations come true. Previously, indigenous groups were completely excluded from the majority of economic activities in Australia except for those which were considered to be labour intensive (Nettheim 2008 p.167). Moreover, these groups were rarely ever accepted in the mainstream Australian life, therefore, Mabo’s court victory can be said to have been a step towards the inclusion of the indigenous people into the centre of Australian society. From the very beginning of the Mabo’s case in court, there has been opposition towards it with those against it stating that it is giving an unfair advantage to minority